Tarot of the
Crone by Ellen Lorenzi-Prince
Review by Tom Tadfor-Little
Tarot is often described as a spiritual or psychological medium: images
through which we can connect with deep and challenging realities. This is
certainly true, but sometimes it begins to feel more like a statement of faith
than a living reality. With a little tarot knowledge under your belt, pulling a
given card is likely to dunk you into your usual database of interpretations. We
might gaze into a card for a bit and notice something deeper, something to weave
into the interpretation. But we are unlikely to
surrender to those deep stirrings, prefering to keep a skilled reader's balance
between the surface and the depth.
Tarot of the Crone by Ellen Lorenzi-Prince is a deck made in courage: courage to
open up the caverns of the soul and record what is there to be seen. For
example, have a look at the Fool card, which is the beginning of any tarot deck.
The Fool, we know, has spiritual meanings associated with complete potential,
complete openness, innocence, life waiting to happen. In most decks, we can find
such perceptions through the image of a person prancing freely into the unknown.
But these images also allow us to bypass the psychological force of such
concepts and try on less challenging interpretations: a reckless person about to
fall off a cliff, a carefree personality, a nonconformist. In the Tarot of the
Crone, a hooded figure
opens her cloak to reveal - nothing. Emptiness. The void at the center of the
soul. In the midst of that dark, infinite space, a tiny star of light swirls. We
fall into the vacuum, become the point of consciousness at its center, and feel
the full emptiness, bareness, and possibility of being spirit stripped of form.
And so it goes, through all 78 cards. Every card works on two levels.
Intellectually, they are masterful and confident re-visionings of tarot wisdom.
These are not arbitrary personal images, they are knowledgeable and focused
questions directed at the traditional tarot structure. The startling Ace of
Cups, for example, shows us the pure root of emotional connection. The old
woman's face is in direct contact with the Water of Life. She doesn't care what
you think of her wrinkles, her open mouth, her expression.
She is alive at this
very moment. And we, gazing on the card, if we dare to know this face instead of
reacting to it, become alive, here, now. Traditionally, the ace of cups
signifies our heartfelt connection with our feeling selves, and with the loving
aspect of the Divine. Rather than asking us to endorse this interpretation of
the symbolism of a suspended chalice on the basis of loyalty to received tarot
wisdom, Lorenzi-Prince has summoned up a human image of the core reality behind
the card, titled it "Grace", and allowed us no way to bypass her
intended meaning.
Viscerally, these images go down into the substrate of human consciousness, into
the realm I call "paleopsychic". This is not something to be written
about or talked about, it is something to be experienced. On this level, it
matters not at all that a particular image is linked to some point in the matrix
of the tarot structure. Lorenzi-Prince has decided, quite wisely, to leave
titles off the cards. The consequences are remarkable. As one explores the deck,
each card leaps out with an individual reality. Sure, in the Six of
Cups, we
might count symbols to draw us back to the structure of the tarot, but who
cares? The three cloaked figures pouring their sacred offerings into their own
reflections take us instantly diving down into a visceral reality, a gut-felt,
primitive connection with the Divine through solemn, collaborative, ritualized
action.
Because this deck plunges so deeply into the spiritual core of the human
condition, it is inevitably Pagan. Behind all the world religions - Judaism,
Christianity, Islam, Hinduism, Buddhism - there is a naturalistic apprehension
of the personalities of the Cosmos and their magical entanglement in our lives.
In its very title, Tarot of the Crone identifies its alignment with Goddess
spirituality and with the contemporary urge to rediscover the power of the
divine feminine that has been denied for centuries in the official theology of
the Western world. As a Pagan tarot user, I have long faced the deck offerings
of major publishers with a sense of frustration and privation. There are
Pagan-themed decks available, to be sure, but many strike me as pandering to me,
rather than speaking to me. I
can hardly fault the deck designers of most of these offerings. It is a hard
requirement indeed, to convey the visceral spirituality of the Pagan path in an
image intended for wide distribution. So, many decks content themselves with a
hopeful application of Neopagan decals onto a tarot substrate established by the
ceremonial magick traditions of the 19th century. My Pagan mind appreciates
these efforts, but my Pagan heart is often unmoved.
Tarot of the Crone bypasses this whole tactical game of mingling Neopagan
symbolism into a conventional tarot symbol system. Pull any card, and you are
back 5000 years, before any such issues of categorization had emerged for debate
and decision. This is the deck I clasp when I seek connection with my own Pagan
identity, not Sacred Circle, not Old Path, not Robin Wood. (All of which I enjoy
and converse with, by the way.)
This is not a deck I use lightly; it is too full of power and purpose for that.
This is one for single-card pulls, to find the energies of life at work behind
your personal world, echoing on for months, years, or a lifetime.
This deck, naturally, does not conform to commercial notions of marketability,
and is presently available in limited edition from the deck creator. The deck is
packaged handsomely in a lovingly hand-made pouch, with an elegant spiral-bound
book that provides card interpretations in verse form. Lorenzi-Prince's poetry
paces the deck in depth and power. Eventually, this deck will find its way into
mainstream publication, and doubtless a larger cloud of words will surround it
on that occasion.
For those who drink this world freshly distilled and unwatered, though, the
limited edition is the one to have.
NOTE: Ellen Lorenzi-Prince has informed me that over 100 people have requested the deck, so no more are presently available. However, she is maintaining a waiting list so that, if someone on the list backs out, a few decks might become available. You can contact her here.
You can read another review of this deck here.
You can peruse a sample reading with this deck here.
You can see all of the cards on the artist/author's website here.
Review © 2003 Tom Tadfor Little
Page © 2003 Diane Wilkes